BOOK
REVIEW
Television:
an international history of the formative years
Russell
Burns
Institution
of Electrical Engineers 1997
ISBN
0 85296 914 7
Hardback
pp 656
£75
(discount to IEE members) but also see end of review.
Who
invented television? If you are British the usual reply is Baird, cross the
Atlantic and they will say CF Jenkins. But the story of television is not that
of a single inventor, it is a star studded epic that crosses time and
technology. Man had dreamed of distant vision for millennia; dreams turned to
reality in the 1920s; the climax was in the 1930s. Russell Burns guides us
through this epic in a book of similar proportions.
To
begin at the beginning. Burns starts the journey in classical times and halts
briefly at significant inventions such as the camera obscura, lantern slides
and zoetropes. Then he reaches what were possibly the two most critical
discoveries in the prehistory of television. The first of these was the concept
of breaking down an image into a myriad of elements - scanning - used by
Alexander Bain in his early attempts at facsimile transmission. Bain was
hindered by the lack of any means of translating amounts of light into
corresponding electrical signals. Willougby Smith discovered the
photosensitivity of Selenium in 1873 to provide that vital link.
Burns
puts all of these contributions into their context and clearly illustrates
their place in the evolution of television. He has chronicled the contributions
made by the stars in the television hall of fame. Nipkow, Campbell-Swinton,
Baird, Farnsworth, Zworykin, Engstrom, Shoenberg and others are all placed in
their context. After the broad sweep of the early chapters we see much more
detail about TV development in many countries.
One abiding theme of the book is the David and
Goliath contest between the lone inventor and the giant corporation. Unlike the
biblical story, the Davids of television ultimately lost. The Davids are
represented by Baird and Farnsworth while EMI and RCA were the Goliaths. It
seems unlikely that television would have evolved in a practical form without
the huge resources of EMI and RCA yet the lone inventors provided the vital
stimulus to make television a reality. The contest is also reflected in the
push for ever more lines. From the mechanically scanned 30 line pictures which
had necessarily limited entertainment value to the bold foresight and ultimate
glory of EMI's all-electronic 405 line system the story is one of heroic
efforts and achievements.
Although
the scope of the book is wider than any other single history of television it
still seems very heavily centred on the US and the UK. Perhaps this is a
reasonable reflection of the pre-eminence of these countries' contribution to
television. There are smaller, but still substantial, chapters on developments
in France and Germany but it would have been interesting to know more about
early work in such countries as Russia and Japan.
Since
writing this review I have heard that the IEE has reduced the price from £75 to
£39. This is a praiseworthy move. At the original price this excellent book
must be mainly for the libraries; the reduced price makes it affordable for all
who are interested.
Jeffrey
Borinsky MIEE CEng